Everything you want to know about the blue Yeti mic versus blue snowball mic
Whether you’re looking to talk to buddies while gaming on your PC, do voiceover, start a podcast, record videos on YouTube, or become a streamer, you’ll probably need a condenser microphone. A good condenser mic will always produce superior sound quality than its dynamic counterpart – they have the best transient response and widest frequency response of all types of microphone, and will usually have a higher output, too.
Of course, knowing the kind of mic you need doesn’t narrow the choice down much, does it? After all, there are so many different devices in the market, figuring out which one best suits your needs can be a daunting task. A helpful feature for a mic you’ll use on your PC is working directly via USB – this way; you won’t need fancy soundboards or adapters. It’ll be just plugging and play.
Among all USB condenser mics, there are two which stand out as particularly popular and well-rated by the public: The Blue Snowball and the Blue Yeti. For most people who want to record themselves talking, one of these two is probably going to be more than enough to suit their needs. Throughout this article, you’ll learn more about it and get some insight on each of the microphones’ pros and cons.
The Blue Snowball’s biggest selling point is, of course, the price. It goes for a little over $60, about half as much as a Blue Yeti, which is usually around $130. Both offer excellent value for their prices, and neither is likely to be a purchase you’ll regret.
When comparing the Snowball and the Yeti to other types of microphone, it’s important to keep in mind that they have an internal pre-amp and sound interface. If you were to get an XLR microphone, for instance, you would need to purchase the three pieces of gear separately, so make sure to account for that when thinking about cost.
Ease Of Use
The fact that they are USB-powered, plug-and-play microphones makes both the Blue Yeti and the Blue Snowball kings of this category. You really can’t go wrong with either, and whichever one you’ll get, you’ll be up and ready to record in no time.
The Yeti’s mount allows it to swivel, which gives you a lot more options and makes it easier for you to position it wherever you like. The Snowball tends to be top heavy and might fall over, so you’ll need to be careful when recording – a problem that doesn’t happen with the Yeti.
Neither of the microphones requires any additional gear to use, although you might want a pop filter for both – particularly with the Snowball since you might need to get a bit close to it to get a good sound.
While both deliver a crisp and clear sound, the Yeti indisputably wins this one. Its sound is noticeably fuller and brighter, and simply more pleasant to hear. That being said, it is entirely possible to record a quality voiceover, commentary, screencasts or podcasts with the Snowball – although you’ll need to make sure to be as close as possible to it. Otherwise, the sound might be a bit too quiet.
It’s important to keep in mind that, being condenser mics, both are very sensitive and will require a relatively dead room to operate at their best. You won’t be able to have keystrokes, mouse clicks or a squeaky chair go unnoticed using either of the microphones – it’s the price you pay for the very high accuracy and sound quality you get.
Both microphones are excellently built. They’re known to withstand all sort of abuse, and will often last over two years without becoming faulty or showing significant signs of wear. It’s another reason why both are such a great bang for your buck – you’ll definitely be able to use them plenty without worrying much or needing to be too careful with them.
While the Snowball can be used for a variety of applications, the Yeti wins this category as well. It has many more features than its simpler counterpart. It can be used in four patterns: Cardioids, Omnidirectional, Stereo and Bi-directional. It also features gain control and a zero-latency monitoring jack. Lastly, the Blue Yeti has a mute button, which will come in handy when you want to pause and resume recording.
Without a mute button, gain control or a headphone jack, the Snowball doesn’t give users that many options when compared to the Yeti. It has three adjustments: Omnidirectional, Cardioid, and -10db Cardioid, and you can pick one at the switch on the back. This gives you fewer options, but for many users that won’t be much of a problem.
In the end, it’s a simple question: Are you willing to pay more for that extra bit of sound quality and a few more features? If you have $60 lying around and want to start recording right away, the Blue Snowball won’t disappoint, and you’ll be satisfied with the results once you get accustomed to it.
However, if you can save a few more bucks and get the Blue Yeti, you’ll end up with a lot more options to set things up the way you need them to be, and a sound that’s indisputably better, but might be a bit more than you need.
Remember: Both microphones are well-acclaimed by its customers and will do a great job depending on your needs, so it’s all a matter of figuring out how much quality you’re looking for, and which one suits you best. Good luck with the decision!